I didn’t write about that first night in the emergency room
in December, when there was three of
us, when I hadn’t yet showered and my hair was matted and sticky with something
unknown. It was not necessary to the
overall story. I would have had to explain
too much. Why two of us went back the next night. How I would later decide that love has limits
and I had pushed people who loved me past theirs. How that’s what I think it means to push
people away.
It’s strange how I could write people out because they’re not necessary. Or really because, there are no words for everything we lose. I edited my dialogue from our walk back
to the emergency room the following night.
I wrote, “I told him, ‘It’s not like the first time, in Chicago…when I
had no one. I have you. And I have
friends. For the first time since
moving here I realize that I love it here because I have people to
love. [I
have someone to love]. It almost makes
me happy because it makes me realize how much [I have something] to be
happy about.’”
I wrote, “There are no words for everything you lose. I sat quietly in my bed for the rest of
December, hugging my knees to my chest and avoiding looking at my bruises or
the scrape on my ankle that wouldn’t heal.
It hurt somewhere I couldn’t reach whenever a friend texted me or
called. And I just kept repeating the same
line to everyone, ‘I’m okay.’ I hated
the way I sounded.”
It never occurred to me that other people hated the way I
sounded too. That when all I could hear
was the way silence and loss felt, someone would hear something else from my
lips. I will leave the conflict of
multiple points of view to the fiction writers.
I didn’t write about the last time I saw You in January, how I walked you to the
subway and we smiled and kissed goodbye and said “I love you” like it was any
other day. It didn’t seem necessary to the story that I lost you
then, as opposed to in December.
I didn’t write about how when I saw my friend (the third
from the three of us), I felt like I
was a ghost haunting my old life.
Because I hadn’t written about that part of my life. I hadn’t written about being happy with
friends in bars and at brunch. I hadn’t
written about the simple things that we all assume we’ll never lose.
And I won’t write about how He stood in the rain and said, “You need to learn to give people
space,” because I don’t want to talk about how I’ve had too much space, too
much loss. Because I wanted to tell him
that he shouldn’t ask for something he’s never really experienced. Space is the way the past hangs between every
syllable you let fall. Space is
measuring days – weeks – in Netflix and cocktail glasses and strangers who
don’t know what is necessary to the
story.
I contrived an ending out of a moment in time before he
asked for space, because I felt it was
necessary to the story.
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