It’s
2a.m. and I am almost-drunk on tequila shots and whatever kind of obscure craft
beer the man standing in front of me in the aesthetically artful bar on the
Lower Eastside has bought for me. We have been talking about art and he is
asking me what I like about Jackson Pollock.
I don’t like anything about Pollock, except maybe his drinking problem --
but I don’t say that. I transition the
conversation to Marc Chagall, who I really do like, and I say, “I like Chagall
because he says – and I first learned it when I was studying art history in
France so I just have to say it in French now – ‘La seul couleur avec que je
peins c’est la couleur de l’amour.’ It
means, ‘The only color I paint with is the color of love.’” I am probably misquoting slightly and my
French is definitely rusty, but my drunkenness helps me get the accent
right. This quote is not why I like
Chagall, but it is my version of a pick-up line. The man smiles and starts talking about something
artsy or intellectual but I am not listening.
It’s too easy. I shouldn’t have
used my Chagall line. I am drunk and
bored. I look around the bar. My grandmother would like it there. She likes to wear flannel too. I wonder if they use grass-fed cow cheese
when they make a grilled cheese sandwich. I get lucky; the friend I came with is bored
too, so we ditch my Pollock and head to Midtown.
Now
we are in Joshua Tree. As Budweiser is
king of beers, so Joshua Tree is king of bro bars. It is 3a.m. and the bar is a
frothy sea of late 20-something men wearing button-down Ralph Lauren shirts, chinos,
and boat shoes. It is late enough into
the night that they are all drunk on Bud Light Platinum and college
memories. In New York, these are the
kind of men that pass for bros. After a
year in New York, I have come to learn that I like this kind of man best when
I’m drunk and when he’s drunk and – most importantly – when we’re both
single. Under those circumstances we are
lot of fun together. These men – these bros – make wonderfully enthusiastic
dancers. They will spin me and dip me
and twirl me and they will not feel the need to pursue a real conversation with
me. They are not crippled by the obnoxious self-awareness that too often seems
to plague artistic and intellectual men.
And they are not ashamed of the fact that they love Kanye as much as
Kanye loves Kanye. And they like Jay-Z
because they too are all money, cash, hoes.
If I kiss a bro, I can be sure that he doesn’t care if it means
anything. Some nights, that’s all I want
in a man.
Maybe it’s like the old Groucho Marx
saying, maybe I don’t want to belong to any club that would have someone like
me for a member.
The
next night, my friend and I are out again.
This time we start the night in Williamsburg but soon seek refuge from
the unpleasant fusion of flannel, PRB, and Bon Iver songs at a sports bar
turned dance party on 82nd Street and 3rd Avenue back in
Manhattan. As we approach the bar to
order two Jack and Cokes, there standing in front of me, holding a shiny blue
bottle of Bud Light, wearing a gray J.Crew sweater that is just risqué enough
to let a few of his chest hairs peak out above the collar, is my bro.
To put it mildly, we used to date.
Now we are both drunk and single.
I order my drink and stand beside him, watching him sip his beer. The light from the TV screen overhead casts a
New York Yankee colored glow on his cheekbones.
I remember how he used to sing Tupac songs to me in bed. I remember the pictures of rappers like
Biggie and Common and Nas that decorate his bedroom walls. I hear him order another beer in his Irish Catholic
loud Boston accent. I think of how he
can’t handle wine and how he gave me my first Corona and how we once danced together
on tables in Murray Hill. And then,
instead of trying to start a conversation, I kiss him, right there, at the bar. And in this case it means something. He kisses me back, his fingers running
through my long multi-color streaked hair.
And now there is a Jay-Z song on.
I’m asking him to dance.
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